Featured Artists (14)

Figure Drawing with Susan Lyon

November 23, 2011 | Artist Tips | Featured Artists

Susan Lyon Photo

Artist Susan Lyon shares her figure drawing techniques in our Autumn Issue of our Artist eNewsletter.  "I think that in order to get good at figure drawing you must try to draw from a model at least two to three times a week" explains Susan. "I currently do a quick sketch session once a week. I start off with one minute poses and work my way through progressively longer poses until, at the end of three hours, I finish with a 20 minute pose." 

Following are some of the techniques and drawings Susan shares with our newsletter readers.

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5 Minute Pose
I start off with a small piece of General's Chalk in sienna. I sand the rough edges down so I can use the side of it to mass in the shadow areas. Once I get the big masses in I clean up the light areas with a kneaded eraser, then use a pastel pencil to define a few lines.




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5 to 7 Minute Pose
I kept the left side out of focus because that is the shadow side and I don't want to show any details in the area. Sometimes I don't even use a line where the form on the light side of the figure meets the background; I will use it only if it's necessary.


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10 Minute Pose
I start off the same with shorter poses, I just study a little more and add in some lines with a pastel pencil.





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Shadow Study
I try hard to only see the form in light and dark shapes. I use a strong spot light so the shadows will be strong. I always start the drawings by massing in the darks.

Download the entire article Strathmore Artist Newsletter: Autumn 2011


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Artist Michael Fudge and Illustration Board for Wet Media

October 14, 2011 | Featured Artists | Products | Sequential Art

Illustration from Michael Fudge, Jr.
Illustration by Michael Fudge, Jr.

Testimonial from Michael R. Fudge, Jr.

"I've been working as a freelance illustrator for many years. Throughout the years, Strathmore is the brand I trust for quality and dependability.

I currently work as a comic book artist for a graphic novel at Heroes Fallen Studio.  Strathmore's sequential art boards in 200, 400 and 500 series have held their own over the many pages of my work. However, recently I discovered Strathmore 500 Series Illustration Board for Wet Media while working on my independent commissions and my illustration novel.  This 500 Series board is hands down the best I've ever used. The ink goes on smooth, black as night. Acrylics (watered down or thick) go across easily, displaying magnificent colors. Watercolor never looks so real.

Pigma Micron Pens don't buckle the surface, even after millions of fine strokes. But what tops it off is the color I achieve when using Copic Markers -- smooth vivid tones that look as if I used watercolor and airbrush. It is everything that I've been looking for in one surface. The Illustration Board for Wet Media is the only board I now use for my illustrated novel, commission projects and personal art. I doubt there is any other board out there that can do what this board can do. Just another reason why I will always use Strathmore..."

About Michael R. Fudge, Jr.:

Michael R Fudge, Jr. currently lives in the lost terrain of Kansas. After spending 14 years in the Marines and Army including multiple tours to Iraq, Michael now works as a freelance illustrator for Distorted Black Studio. His media ranges from pen & ink, watercolor, acrylic, marker, pencil and colored pencil. He is currently writing and illustrating a children's book which is to be released next year.

Thanks, Michael! Those of us at Strathmore Artist Papers appreciate your loyalty and kind words about our products!


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Meet Professional Illustrator & Artist Lisa Adams

September 13, 2011 | Featured Artists

Lisa Adams photo
Lisa Adams

Artist Lisa Adams is featured artist in our Summer 2011 Artist eNewsletter.

Lisa Adams, Vermont born, is a Pratt Institute graduate with a degree in fine arts. She began her career as a graphite artist. Residing in Coconut Grove, FL after graduating, she was recognized for her large super-realistic pencil drawing. Relocating to New York City in the 1980's, she switched her career to illustration. Her work has been recognized by the Society of Illustrators, 3X3 Magazine, Print Magazine and other industry showcases. After 21 years in Manhattan, Lisa recently moved to Mystic, CT and resumed her fine art career; she is represented by dianebirdsallgallery in Old Lyme, CT. Lisa continues to be represented by Morgan Gaynin Illustration Representatives in New York, NY for her commercial work. Her work appears in mainstream magazines and she is the author-illustrator of "The Twelve Days of Christmas in New York City" - a childrens book. Her favorite creation in 1994, the Gap teddybear, still continues to be the mascot for the BabyGap stores.

Illustrations from Lisa Adams are also featured on Strathmore new pad covers.


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Strathmore® 300 Series Pads Feature Student Artwork

August 29, 2011 | Featured Artists | News

photo of SCAD art students
Photo courtesy of SCAD. Left to right: Rovan Yu, Bridgette Blanton, Xavier Robles de Medina, professor John Rise, Chieh-Yu Lee and Caitlin Geels.

The artwork of SCAD foundation studies students was selected to be featured on the new covers of Strathmore 300 Series Fine Art Pads. Bridgette Blanton, Caitlin Geels, Chieh-Yu Lee, Xavier Robles de Medina and Rovan Yu artwork is displayed on more than 70 different Strathmore products. In addition, recent SCAD graduate Logan Childress is featured on Strathmore's new 300 Series Mixed Media pad.

Foundation studies professor John Rise led the group of SCAD students in the collaboration with Strathmore to create a variety of classic still life images representative of artwork created in foundation-level college art classes.

"The still life study is an essential and historical tradition for artists, making it the perfect subject to represent our 300 Series Fine Art Pads," said Strathmore Artist PapersTM marketing manager Sue List.  "And, it is likely that no artist is more familiar with still life art than a college art student. Each of the students exceeded our expectations in regards to responsiveness, professionalism and the quality of their submissions."

The new pad covers began shipping to fine art stores in May 2011. In addition to being featured on pad covers, the students' work will appear on Strathmore Artist Papers website and in variety of other marketing materials.

See their artwork and meet the artists


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Dorrie Rifkin Shares Her Watercolor Techniques

May 13, 2011 | Featured Artists

Ground Zero, 500 Series Illustration Board for Wet Media
Ground Zero, Dorrie Rifkin

By Dorrie Rifkin

I spent the first half of my life searching for the perfect paper to achieve my painting style, "Controlled Chaos." One day I was in an art supply store in Kingston, NY. This is where my love affair started with Strathmore® Illustration Board.

Last year I discovered the 500 Series Illustration Board for Wet Media. This paper keeps the color intense and it lets me rework parts even after it dries. It can take a beating, which I give it.

I'd like to share my 4 steps to watercolor success.


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Step 1: Have a Full, Great Life
I am lucky enough to live close to NYC. I always bring my camera and take lots of photos. The more you experience in life, the more opportunities for a painting. Before I start painting, I open up the images in Photoshop, where I crop and alter the colors.


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Step 2: Structure and Planning
I then make a very tight, detailed sketch. I review, and determine which parts are going to be most challenging. Without a strong foundation, there is no way to create a good work of art.



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Step 3: Painting and Trust
My greatest concern is making sure I don't stick my paintbrush in my Diet Coke instead of my water. Add blacks and bring back the whites (by dabbing water with a paper napkin or paintbrush). Remove the tape and then after a few days I declare a painting complete.

Step 4: Go Back to Step 1

About the Artist
Dorrie Rifkin's work is often influenced by her career as a talented and award-winning art director. Many of her paintings feature unique local signage that

adds a personal touch to each piece. Rifkin was profiled in Watercolor Artist magazine's

December 2010 "Ones to Watch" feature. Her paintings have won prizes in many international and national juried shows. She is a signature member of both the Transparent Watercolor Society of America and the Northeast Watercolor Society.

To see more of Dorrie Rifkin's work, check out our Artist eNewsletter or Dorrie's Website: www.dorrierifkin.com


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Journals for Everything!


Journal Page from Linda Blinn
Journal Page from Instructor Linda Blinn

By Visual Journal Instructor Linda Blinn

Once you start a visual journal you will see the possibilities for individual journals that focus on one topic: for instance, a color journal. Any size of Strathmore Visual Journals with watercolor or mixed media paper provides a perfect format for mixing and testing colors and creating color combinations for future projects.

Other topics for journals include those that focus on the kitchen or the outdoors.

Kitchen Journal
A kitchen is often the most interactive area of a home and keeping a kitchen journal enables you to record the rituals of daily life. Capture life in small details: a sketch of a chair, a graphic label from a bottle of olive oil or a family recipe.

Nature Journal
This fosters quiet introspection as you slow down to observe the subtleties outside. Watercolor, sketching, leaf printing, pressing flowers and collecting stones, shells, pods and moss result in beautiful tactile pages.

Linda Blinn is an instructor for our 2011 Visual Journal Online Workshop Series.


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Book Binding Tips

March 21, 2011 | FAQ | Featured Artists

Roz Stendahl Journal Page
These studies of snow geese at the Bell Museum of Natural History in Minneapolis, MN were created in a 7.5 x 6.5 inch journal made with Strathmore Aquarius II. ©2007 Roz Stendahl

Roz Stendahl shares here techniques for bookbinding in our Autumn 2010 artist eNewsletter.  Here's an excerpt from her article.

Consider Strathmore Aquarius II for your next project. Make a portrait, landscape, or even square book to binding suit your working preferences.  These two diagrams provide ideas on how to cut or tear down a full sheet of this paper to make a portrait or a landscape journal.

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In each diagram the letter "A" designates one piece that will be folded as part of a signature. I gather four of these together for a nicely sized and non-bulky signature of 16 pages. Five of these pieces folded as indicated will create a 20-page signature which is also workable because the paper is not bulky. It is important to keep the grain direction with the fold of your signature. Play with different page heights by dividing the 30-inch length into different sizes. When working out the width of your page, remember that you need double that width measurement because it will be folded, e.g., if you want a 10-inch page width you can only get one piece from every 22-inch strip because 10 times two is 20 inches. (You'll have two inches of waste.)

Speaking of waste, don't toss that 6-inch strip of paper at the bottom of the first diagram (labeled waste)! That strip runs with the grain and can be folded into 3-inch wide pages of whatever height you decide would be fun. That's how Diane and I end up with some handy little books that are perfect for field work, with paper on which we enjoy working!

Roz Stendahl is a graphic designer, illustrator, and book binder who teaches bookbinding and journaling at the Minnesota Center for Book Arts. Roz has prepared a short online workshop as part of the Strathmore® Visual Journal Online Workshop Series. Her workshop will begin in May 2011. Registration for this free class is now open.

To read Roz's entire newsletter article, download our artist eNewsletter Autumn 2010.


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Artful Letterforms


artful letterform image
Journal Page by Linda Blinn

By Visual Journal Instructor Linda Blinn

Eye-catching art can be created using letters, fonts and words, and since journals are all about the words, you might as well turn them into art!
 
For inspiration, select Google Images link in Google search engine and search for “letterforms.”  You will see fabulous samples of what graphic artists do with this concept.

For the collage above, I made a grid background with vintage ephemera and used four different techniques for the letters which were then attached to the background with gel medium. Top left: transparent acrylic on a dictionary page top right: gel painted with acrylics bottom left: tissue paper covered with gel medium to stiffen, then painted with acrylics bottom right: page from a books painted with acrylics.

Linda Blinn is an instructor for our 2011 Visual Journal Online Workshop Series.


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Meet Rusty Gilligan

January 18, 2011 | Featured Artists | Sequential Art

Meet Rusty Gilligan, comic book artist/inker/author since 1978… and loyal Strathmore Bristol user.

“I always use Strathmore 300 Series Bristol Smooth,” says Rusty.  “It's perfect for the commercial inks and paints that I use while maintaining a white gloss for professional scanning.”

“When I get artwork to ink for publication, I bring the image in Photoshop, clean it up, and convert the image to blue-line (turning the art blue),” explains Rusty. “I then trim a 9” x 12" 300 Series Strathmore Bristol Smooth sheet and print it out. I ink/paint directly on the sheet, scan it, and send it off the publisher.”  Thanks for being a loyal Strathmore customer, Rusty!

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Art by Rusty Gilligan.
MAIN Publishing Press Preview, MAIN Publishing 2005.
“The Super,” ©2005, 2011 Rusty Gilligan
"The Symbol" by Rusty Gilligan
©2001, 2011 Rusty Gilligan
Art inked by Rusty Gilligan. 
JGM Universe Index, JGM Comics and Arcana Comics, 2011.
All Characters are created and Copyright Joe Martino with the exception of Ripperman which is copyright Arcana Comics.

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Meet Artist Henry Pernell Johnson

July 21, 2010 | Featured Artists

"Time Slip" on Strathmore® Illustration Board - Heavyweight Vellum Surface


Featured artist in our Summer 2010 Artist eNewsletter.

Henry Pernell Johnson was born and raised in Cordele, Georgia, 1967. His goal is to nurture and cultivate the unique qualities of each person through his art work. As a professor at the Savannah College of Art and Design, he says teaching keeps the roots of his artistic skills watered. His life was shaped by his mother and father, Diane Flood and Henry Johnson. It is the up bringing which inspires his remarkable work. Although Pernell has termed himself “ordinary,” his ability to make the ordinary special through his art is extraordinary.

Pernell is a graduate of Crisp High, Cordele, GA. After high school he pursued a career in Art at The Art Institute of Atlanta where he earned an AA, Florida State University, BS and The Savannah College of Art and Design where he earned his Master of Fine Arts. He concentrated in illustration and graphic design. Although many of his pieces are graphic and illustration, he does not limit himself with subject matter. Pernell chooses subject matter that moves him personally. He dwells in the emotional bonds between an illustrator and his subjects, while leaving the image open to interpretation by those who view it. Henry Pernell Johnson is a Professor of Foundation Studies at Savannah College of Art & Design.


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Meet Contest Winner, Alice Feagan

May 28, 2010 | Contests | Featured Artists

Alice Feagan
Artwork by Alice Feagan

Meet Alice Feagan, one of the Grand Prize Winners of our “How Do You See Green?” Contest.

Alice is a freelance illustrator specializing in cut paper collage and silhouette.  This playful approach to illustrating is something she discovered and developed while completing her MFA in Illustration at Savannah College of Art and Design in Savannah, Georgia.  Inspired and influenced by contemporary cut paper art and the folk art she was exposed to while growing up in the mountains of western North Carolina, Alice has developed a style and technique that is uniquely her own.

The bold and graphic illustrations Alice creates are geared towards the editorial, book, and advertising markets.  Since completing her degree in May of 2009, Alice has worked for a number of clients including Oregon Home Magazine, Charleston Magazine, Hybrid Mom Magazine, The Science Factory Children’s Museum, The Children’s Miracle Network, The Eugene Weekly, and Trew Gear Ski Co.

Alice’s winning art will appear on a Special Edition Strathmore Premium Recycled Pad this Fall.


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Meet Artist William Rose

April 30, 2010 | Featured Artists

“I’m Here", Charcoal on 400 Series Drawing Paper
“I’m Here", Charcoal on 400 Series Drawing Paper


Featured artist in our Winter 2009 Artist eNewsletter.

William Rose’s studio is located in Prairie Village, Kansas, where he has been actively creating artwork for about 8 years. He stumbled across his passion for drawing quite unintentionally and soon began accepting a flurry of offers for commissioned portraits. Practically overnight he went from a person who thought stick-figures would be the grand extent of his artistic expression, to a professional fine artist creating portraits and figurative artwork in multiple mediums and being accepted into prestigious juried shows and competitions. “I wish everyone could experience such an extraordinary surprise – it changed my entire perspective on life and sent me down a new creative path I continue to travel today.”

William enrolled in life drawing courses at the Kansas City Art Institute, and began to study drawing and painting primarily by pouring through art instruction and history books, countless magazines, and visiting museums across the country to view the masters. During this time, he was appointed to the art committee for a major international corporation’s new world headquarters, which exposed him to a vast realm of art media and processes, assembling a remarkable collection of artwork by regional artists. Recently, he won a prestigious cover competition and his work appeared on the cover of American Artist Magazine. This national exposure led to a request to produce all of the artwork for a new movie just filmed in Carmel and backed by the Eastwoods about an art prodigy who gets pulled into the world of international art forgery. “Up until this past year, creating artwork had been an evening/weekend activity, but now I’ve taken the creative leap through the open window and transitioned to a career as a full-time artist.”


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Artist Barry Sholder tries our Illustration Board for Wet Media

February 5, 2010 | Featured Artists | Products

Barry Sholder
Artist Barry Sholder tried our Illustration Board for Wet Media for the first time and created this piece “F-14 Tomcat.” Thank you to Barry for sharing your work with us! Click here for more information about Illustration Board for Wet Media.

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Sequential Artist Katie Cook


photo of Katie Cook
Cover detail and photo of Katie Cook

Katie Cook created original artwork for the covers of the 200 Series Sequential Art Bristols.

Katie Cook is a professional illustrator, cartoonist and comic artist working out of the Ann Arbor, Michigan area. She graduated from the College for Creative Studies in 2004 with a BFA in illustration, her love of cartooning and comics has led her to where she is today.

Katie has done licensed and comic work for DC, Marvel, Star Wars, HEROES, Lord of the Rings, and more. She loves being a nerd and being able to draw nerdy things for a living is like a dream come true.

"I use Strathmore® smooth bristol for every project that comes my way. The smooth surface takes ink beautifully and my underlying pencils erase away without smudging or tearing any of the paper. The bristol is also a really bright white, which gives everything great contrast and an automatic vibrancy. The board can take all kinds of artistic abuse, like marker, watercolor, gouache and colored pencil and still stay intact, which is rare for illustration paper that's not mounted to a board. It's pretty hefty stuff! I really love this bristol and can go through an entire pad of the 9" x 12" board in one sitting just sketching out ideas!"


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