Benjamin D. Rinehart specializes in multimedia images with a strong focus in printmaking, book constructions, painting and drawing. His socially charged work is a part of many public and private collections and has been exhibited both nationally and internationally. Ben received a Bachelor of Fine Arts at Herron School of Art and a Master of Fine Arts from Louisiana State University. He is currently an Associate Professor of Painting and Printmaking at Lawrence University in Appleton, Wisconsin. He has taught in New York & New Jersey at Pratt Institute, Rutgers/Mason Gross School of the Arts, Long Island University, Fordham University, FIT, and Manhattan Graphics Center. He continues to teach as a visiting artist at various institutions around the country like the Center for Book Arts, Pyramid Atlantic, Minnesota Center for Book Arts, and the John Michael Kohler Art Center. Ben is the author of a book titled, "Creating Books & Boxes."
For examples of his work visit www.benrinehart.com.
I'm Teoh Yi Chie from Singapore. I'm also known as Parka online from my website Parkablogs.com, a blog where I post my sketches, art book reviews and some musings. My exposure to art was through comics I read when I was a kid. Since then, I have always been interested in art. I never had any formal art training and sketching is a hobby I picked up only in recent years.
I started sketching regularly after joining the Urban Sketchers Singapore group in 2009. Since then, I've learned a lot about the art of sketching and the places I've been to. I've also made many friends along the way – both sketching and non-sketching friends. It's great fun to hang out with people who share the same interest and enthusiasm.
What I like about sketching is that you get to connect with the place or the person that you draw. I'm able to remember more vividly things that I've sketched. That's a bonus when it comes to sketching overseas; I can remember places and events without having to refer to photographs. You know that heightened sense of awareness you get when you're overseas or visiting some place new? I get that when sketching, and maybe that's why I feel like I'm on holiday whenever I'm doing it.
My preferred medium is ink and watercolor. My favourites are technical pens for their predictable, uniform lines, and I have a small, portable, 12-pan set of watercolours. It's a lightweight and versatile combination that I've been using for years. Recently, I've been trying other media to experience drawing in another way.
“The only way to truly understand something is to draw it.”
–Jean Le Corbusier
This is the center of my work—an attempt to sincerely grasp what I see around me through the tip of a pencil and a piece of charcoal. At its root, the act of drawing necessitates a concentrated study of not only the physical attributes of the subject, but the emotional as well. Every line and crease in a face tells a story, and rendering these requires the artist to touch and explore each facet of the subject’s existence.
My work focuses primarily on portraiture at a monumental scale. I am fascinated by the intricacies and commonalities that we share as humans, and search for moments when our projected senses of self are transparent, allowing deeper, more truthful emotions to become visible. I pursue ways to peel back the protective veils that we all display to the outside world, striving to capture the unbidden spontaneity of experience.
Central to this search is a focus on the significance of narrative in human existence. Our lives are not linear, with one instant leading solely into the next, but rather circular, with each experience formed and defined by others. A portrait functions in the same manner, teasing out emotions and truths that inform not only the particular instant captured, but more importantly the story leading up to it.
A true portrait is far more than a rendering of physical form—it is the capturing of the vulnerable, un-invented narratives that make us human. Seeing and understanding these is my ultimate goal.
My work is focused on the individuals that I encounters at a unique street corner of San Francisco - 6th and Mission. The ongoing series 'NoRegrets in Life' is an exploration of the particular nuances of the people I meet there who are willing to pose for references.
My process begins with photographs and conversation. In particular he searches for subjects who allow me to peel back the veil of first impressions and glimpse an un-projected, vulnerable sense of who they are. These reference photographs are then brought back to my studio where I spends weeks exploring the individuals at a 1-to-1 scale through the tip of his pencil.
Brian Scott is a self-taught artist and feels that it shouldn’t matter what your artistic history or education is, but that you love what you are doing. He has always been interested in art and took classes at night school, but found he did not enjoy the strict, regimented routine.
At first, Brian tried oils and acrylics but didn’t feel that he was successful in those mediums. In 2009 he turned to colored pencils where he found his niche and never looked back.
When asked why he prefers this medium, he replies that they are a lot cleaner and require less room. Once he started to use colored pencil, he was challenged to make his pencil work look more like an oil painting rather than a traditional drawing as he found at times people had a preconception that colored pencils were for kids. That’s when he began to develop his signature style.
Brian began drawing for his own personal enjoyment but as he grew and found his audience, he realized he could actually make sales as well as enjoy the camaraderie that the internet can bring by allowing viewers to respond to his art through comments and emails. “It keeps me going and always striving to do better!"
Reference and permission to use from Bara Vavrova
Heather Victoria Held is a freelance calligrapher residing in St. George Ontario with her husband Chris and their daughter Holly. Heather's passion for Spencerian Script was kindled when she met her friend and mentor Master Penman Michael Sull. Early in her ornamental penmanship endeavors she was guided and encouraged by Dr. Joe Vitolo through the Ornamental Penmanship discussion group and IAMPETH. She is a member of Master Penmen Brian Walker's Spencerian Study Group of the UK and is thankful for Brian’s guidance in her penmanship journey.
Heather's work has been published in Bound and Lettered, Somerset Studio, The Penman's Journal, The Spencerian Review, Romantic Homes, Pen World, Good Mail Day and 1000 Homemade Cards. In 2009 Heather was awarded the Spencerian Heritage Award by Michael Sull and is honored to take her place as a storyteller of the Golden Age of American Penmanship and specifically offhand flourishing as she teaches throughout North America.
Some of Heather's favorite art materials to use are: the pointed steel pen, pastels, watercolors, gold gouache, vellum, 24 K gold leaf, drawing ink, colored pencils, hot foil and hot fix crystals.